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Thursday
May162013

Poetry: Howard Algeo


Don’t count down in cadence
Or set your memories on a hinge

Gardens are gardens
Because flowers like to congregate

And arms don’t really envelop you
It’s really a striation
A mechanical bliss

I should have told you this sooner

But I just recently realized
The universe is perfect
Despite your sucker punch sundae
With all those toppings

 

All rights reserved to Howard Algeo.

 

*Editor's Note: Yes, this is the father-in-law of our editorial director, Courtney Algeo. For Howard's submissions, we sought assistance from an impartial judge by way of submitting a blind grouping of poems to poet Matt Mauch. He deemed Howard's poetry fit for Paper Darts publication, and selected this one to go online.

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Wednesday
May152013

Art: Wayne White

When we grow up we want to be Wayne White. White is an artist, art director, illustrator, puppeteer, musician, and all around fascinating human being. In 1986, Wayne became a designer for the hit television show Pee-wee’s Playhouse, and has been molding impressionable minds ever since. Now working as a fine artist, that familiar subtle beauty and singular sense of humor is still evident in his work. Below you will find work from his word painting series, where White meticulously paints words over landscape reproductions. The series offers a surprising commentary on culture, the art world, and being Wayne White. 

Beauty is Embarrassin'!   

 

Clusterfuck

 

Good Looking People Having Fun Without You  

 

Can Ya Fix It So My Stuff Looks Good?  


Artificial Cherry Flavor   

 

Honest Artists   


First Time My Hero Repeated

 

Dude or Chick

 

Dino

 

Heinies n' Shooters w/ Hotties at Hooters   

 

Failed Abstract Paintings of the Seventies  

 

All rights reserved to Wayne White

 

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Tuesday
May142013

Fiction: Liz Warren-Pederson

Did you see that? That was the third nurse to go by. They’re rubbernecking, OK? They’re not used to seeing me with family. I get more visitors than most, but they’re all a certain type, you know. Well, maybe you don’t. You’re a sweet girl, I can tell. You don’t have that look. My girls are—how can I put it? Well, so. I’m sure you’ve heard all about blue movies. You know, they’re the kind for adults…very European…not movies for nice girls.

But you already know: I was never a nice girl. I was in a blue movie once. I went by a different name then, but don’t look me up. Or my movie. You may think I’m out of touch, but I’m no fool. I know about the Google. I know all about it. And a blue movie isn’t the kind of thing you want your folks to see, not that you’d recognize me. I was pretty luscious back then. I can say that now. I modeled myself on the Sophia Loren type when everyone else was blonde.

So I was a little revolutionary, and so was my movie. It was about a housewife who was carrying on with the Fuller Brush Man while her husband was at work. One day, he came home early to find the housewife (who is me) making love with the Fuller Brush Man, right there on the couch! I know you would expect the husband to be furious, maybe even furious enough to kill the Fuller Brush Man. But this is where the twist came in. The husband found the scene exciting! The girls tell me it’s called a fetish now: cuckolding. What kind of man, I ask you. Not my Tony. Anyway, the husband watches for a while, then joins in. The girls tell me this is one of the earliest blue movies with two men and one woman. Usually, it is the other way around, because men are scared to touch each other for fear of being exposed as secret homosexuals. I hope that you know what a homosexual is. Sometimes they’re called “fairies.” Maybe they call them something else nowadays.

Anyway, I’m better known for my modeling work. I used to pose for dirty decks of cards, the occasional magazine. Now I’m a bit of a celebrity for certain types of girls. It was maybe two, three years ago they started showing up for autographs. Always on a Sunday, that’s the best day to visit. We get lots of visitors after church, people doing their duty and so on and so forth. Groups of middle school kids who can hardly stand to look at us, talking too loud like they think we’re from some other country. Snotty-nosed Boy Scouts, come in to earn the old people patch.

My visitors, though, they’re a sight. All these girls with their high heels and leopard print and red lipstick and big hair. Some of them wear those old bullet bras! It took me a while to figure out they wanted to look like me. What threw me most was the tattoos. A snake on the arm, a butterfly on the bosom, Jesus Christ on a shoulder. One of them had a tattoo of me, right over her hoo-ha! I didn’t believe her until she pulled down her pants. She didn’t have any hair down there either. Old Ernie Miller saw her, too, and you know what she did? She turned to him and did a shimmy. Here’s something you might not know: men always have that same old drive, even at death’s door. Poor Ernie, it’s a wonder he survived.

Lots of girls come to see me from that peep show up in San Francisco. The two from the union almost broke my heart. Pretty things, both of them, and smart. I don’t know why those girls danced, when they could go out and be doctors or presidents or what have you. They wanted to interview me for their newsletter, about sex positive and female empowerment. They wanted us to come from the same kind of family, you know. Survivors. The one had a father who drank, so there was that, but they were both so angry at their mothers. Maybe they wanted me for a mother. They hugged me when they left, and the one stands up and says, “Miss Carberry, you smell like bleach.”

Bleach! Can you imagine. Well, they do what they can to keep us healthy here. Those girls, though, none of them looked what you’d call healthy. You could count the ribs on most of them. The one with the tattoo of me? Her hips were like doorknobs. And she wanted to talk about the same as the rest.

When you get old, you start to notice things, like for instance how people just aren’t original. They all say the same things, over and over, like a code. It’s worse around here, of course. I’ll sit and watch the girl put cookies from a package out and the people come up and say, “Fresh from the oven, right?” “You bake those yourself?” “Fresh from the oven, huh?” “Did you bake these yourself?” It’s a wonder that girl doesn’t slap someone. The last time she put some out, I said, “Shitty cookies, huh?” She patted me on my arm and told me I was a dear old thing. “Dear old thing.” That one’s right up there with “Bless your heart.”

Let me tell you, it’s refreshing to talk to someone who doesn’t ask the same old questions. You maybe want to know the thing my girls are afraid to ask me. Why I did that blue movie in the first place. I guess they don’t ask because they already know. It’s the same reason they do it: the money. Everybody’s got to make a living.

I wanted to be a maid in one of those fancy resorts in Palm Springs where all the stars stay, but I had to save up to get out of Van Nuys. Then I found a flyer on the boulevard. When I called, the man asked for my measurements and he said he could pay me $50 to take my clothes off for the camera. He gave me a nice address and I showed up the next day, and the next, and the next.

When my father found out—I’ll let you guess how—he kicked me out. So I shacked up with the photographer for a while, but not that way. He was a fairy, you know. He even introduced me to Tony, who was in the business too. Look, I’m not trying to justify anything here. I don’t regret it, but it doesn’t mean anything to me.

The only thing that matters is my Marie. I can see how that might be hard to believe, but you can’t blame someone who was called to God for not talking to the likes of me. When she was eighteen years old, she came and told me and Tony that we had to shake off Satan and walk to the feet of the Lord like little children. Tony said, “Couldn’t we just drive?” That was when she ran off to Angola with the Salvation Army.

We hired a private investigator to keep tabs, and now his son sends reports, can you believe it? Please don’t tell her that. When Tony passed, it was a big deal in some circles. I sent her a note, but she didn’t come to the funeral. So I expect she won’t come to mine, which is the kind of morbid turn this place inspires in people, let me tell you. So it was grand of you to come. And maybe you’ll be there to send me off one day. See if you can’t get your mother to pray for me, won’t you. I miss her. I love my girls, but they’re not Marie.

 

All rights reserved to Liz Warren-Pederson.

 

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Thursday
May092013

Poetry: Christopher Citro

If You Must Know

The reason I carry this shovel is you just never know. Like at the bank—I’m waiting in line twenty minutes to learn that I’m in the wrong line. The teller told me this then looked me in both eyes while her lips played dead at me. I was supposed to be in a little alcove off to the left where the windows let in the light off the snow, making the National Geographics glow like gold-framed windows to wonderful. I had no idea. I was afraid to look in case a version of me was sitting there already, the clever me with leather shoes and nice slacks, who knew all along that’s where I belonged. Thank goodness for this shovel I’d have thoughtfully brought with me and which I’d slam into the carpet there and then, digging up heaps of floorboards, concrete, spitting electric vines, gravel, pale orange soil, as the bank and that teller’s lips parachuted into the air above me and I dropped into a different, if darker, universe where things make some kind of sense.

 

Only Better (Black Moths)

Each time Jimmy disappears into his cave he comes out later with an even more beautiful one. The last, it was six inches across, deep blue, almost black, and when you got close, a complete cosmos of pinpricks of light opened up across the velvet. I thought I saw a shooting star; it crossed from one wing to the other silently, leaving a trail of glitter. I wanted to make a wish, and I trusted Jimmy enough to do it right there in front of him. I closed my eyes and said to myself in the hollow of my skull, “I wish exactly what is happening were happening right this moment.” Before I opened my eyes, I leaned forward and kissed the body between the glittering wings. When I opened and stood back, Jimmy looked into my right eye and then into my left. Then after a moment’s stillness, he disappeared back inside his cave. Two weeks later, it all happened again.

 

Thomas at Home in the City

Looking out over the city, he counted the passing cars. When he got to ten he stopped. He counted lampposts. When he got to ten he stopped. He was about to start counting birds in the park across the street when the telephone rang. Thomas turned and walked back into the apartment. As the curtains fluttered closed behind him, nine snow white pigeons landed exactly where he’d been standing on the balcony. The tenth pigeon was calling him on the phone.

 

 

All rights reserved to Christopher Citro.

 

 

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Wednesday
May082013

Art: PUTPUT

With nods to the past and ambitions of shaping the aesthetic of the future, the Swiss/Danish artist duo PUTPUT operates at the busy intersection of conceptual photography, styling, art, and design. PUTPUT explores the expression of objects and situations by engaging in a visual dialogue—an interrogation, really—with the subject. You will never look at a popsicle, cactus, comb, or salami in the same way again.

Do not miss the PUTPUT website. It is an art object in itself, where each portfolio piece is packaged with a dynamic artist statement. Excerpts of the project descriptions are included below.  

Popsicles

Basically, it's sponges with sticks in them

Tribute to the Salami

A photographic journey into the marvelous land of the sausage.

Succulent

Everyday objects assume a deceptive appearance in a newfound context.

Soft Construction

The shift in materiality highlights the aesthetic normally sidestepped by functionality.

 

All rights reserved to PUTPUT.

 

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